It was characteristic of Mrs. Paula that she was not in the least jealous of Isabel's beauty. She was quite positive that no man would hesitate between her own exuberant prettiness and a face and form that looked as if it had stepped down from a dingy old canvas. It was true that Stone admired Isabel—with reservations to his wife—and had openly avowed his intention to paint her when he emerged from the tyranny of the pot-boiler. He had hoped that Isabel would take the graceful hint and order a portrait, but Isabel had succumbed to the pleadings of too many students of indifferent talent, and had no intention of undergoing the ordeal of sittings again to any but a master. To-night, as the party of four entered The Poodle Dog—the socially successful offspring of the still enterprising and disreputable parent on the dark slope above—Paula deliberately outstripped her companions and appropriated the seat, at the corner table reserved for them, that faced the room. Isabel was only too delighted to turn her back upon the staring people, for it had occurred to her to-night, for the first time, to be uneasily ashamed of her adopted relative. She had gone about with her several times since her return from Europe, and absently disapproved of a somewhat eccentric tendency in dress, but to all sorts of odd costuming she had grown accustomed during her experience of art circles abroad. This evening, as she stood in her living-room with Gwynne and watched Paula sail down the broad staircase, she had a sudden vision of the shanty at the northern base of Russian Hill where Mrs. Belmont had found her little Mexican seamstress, deserted by her American husband, wailing over the child she was about to leave. This story had always inspired Isabel with the profoundest pity, tempering her frequent impatience and disgust towards the family alien, but to-night she wished for a few moments that her mother had sent Paula to a foundling asylum. She glanced uneasily at Gwynne and fancied she could hear him slam the lid of his breeding upon a supercilious sputter. Mrs. Paula's skirt and the jacket on her arm were a respectable brown, but there was something in the screaming red blouse, the immense cheap red hat, the blazing cheeks, the pinched waist between swelling bust and hips, the already lifted skirt—Paula always wore a train that she might at the same time achieve longer lines and more subtle opportunities—exhibiting the pointed bronze slipper with a large red bow and much open work above, that suggested, if not the French cocotte, at least that San Francisco variety known in local parlance as "South of Market Street Chippy." She did not bear the remotest likeness to a lady. She looked common, fast. Isabel wondered that she had never faced the truth before. It was as if a wave of final criticism heaved from the brain of the man whose life had been passed in the best societies of the world across to hers. But Gwynne was imperturbable and polite, and as they rode down-town in the bright cars Paula thought him "fearfully nice" and was quite sure that he admired her.
"We are fearfully late," she remarked, complacently, as she seated herself and looked slowly around the big room with its ornate frescoes and heavy chandeliers, its crowded tables and strange assortment of types. "But it is much nicer—to see them all at once, I mean," she added, untruthfully.
Gwynne, whose seat also commanded a view of the room, looked about him with much interest. He had a vague association of impropriety with the name of the restaurant, but he saw only a few painted females and queer-looking men. The majority looked as if they belonged to the higher walks of Bohemia, and quite a fourth were indubitably fashionable. But his more vivid impression was that they all looked gay and care-free, and that their personalities were not wholly obscured by clothes. After lunching or dining at one of the great New York restaurants he had carried away the impression of a tremendously fashionable school in uniform—the women distinguished in appearance beyond those of any other American city, but utterly unindividual. The social bodies of the United States had interested him little, but to-night he glanced about with something of the curiosity of a Columbus discovering the land of his fathers. No doubt his Otis great-grandfather had been intimate with the great-grandfathers of more than one man present; in this remote bit of civilization he almost felt as if he were sitting down with a company of relatives, at the least to a gathering of the clans. And he had rarely seen so many handsome women together, nor such a variety of types.
Paula, who knew every one by sight and assiduously read the society papers, volunteered much information while Isabel ordered the dinner; Stone had been detained half-way down the room by a party of friends.
"That is Mrs. Masten," she whispered, with a respectful accent on the name and in the significant tone she always employed when addressing a person of social importance. "The youngish tall woman with white hair and distinguished profile. She is one of the old set—the one Mrs. Belmont belonged to—and fearfully haughty. Some people call her a beauty, but how can a woman be a beauty with white hair? Lots get it here and lose their complexions before they are twenty-five. It is the wind and nerves and too many good times. I wonder I have not gone off too, but I take a nap every day no matter what happens. Just beyond is Mrs. Trennahan. She never did have any beauty with that sallow skin and no feature except her eyes; but her husband, who was a great swell in New York, and often takes her there, is quite devoted to her, and they have a house on Nob Hill and another in Menlo Park. She is so exclusive that it is a wonder she ever condescends to dine in a restaurant; but Mr. Trennahan is a fearfully high liver, and this kitchen is famous. Mrs. Trennahan's mother, Mrs. Yorba, who led society in the Eighties, had only ninety people on her visiting list, and they say that her parties were the dullest ever given in San Francisco. Of course that was before I was born. The glory of that prehistoric crowd has departed, in spite of the fact that a few of them—not many—have kept their fortunes—and they are nothing to the new ones. The Irish and Germans are on top now and are just ruling things—people whose very names our mothers never heard, although they were making their piles without saying much about it. They have come forward in the last five or six years with a rush. All the old leaders are dead, and their children don't seem to care much—just stand aside and put on airs. One of the new leaders has a brogue. And as for Mrs. Hofer—take a good look at her."
Paula indicated a tall superbly proportioned young woman in a simple Parisian black gown and an immense black hat with a cascade of white feathers rolling over the brim; she had a round laughing face and an air of indescribable buoyancy. "She was born and brought up south of Market Street, in the respectable part, but a dead give away in her generation: she's only twenty-six. I forget what her old peasant grandfather started life as, a peddler, probably, but afterwards he had a dry-goods store, or shoes or something, and he bought real estate, and his son improved it, so now they are rich. She was educated at the public schools, went to the University for a year, had two more in Europe, and came back with what they call presence and style, but is just cheek dressed up. She hadn't much show socially, but she didn't lose any time capturing Nicolas Hofer, the son of a German emigrant, who made money in the commission business which his sons have turned into millions. All the men like him, and as he was a great catch, of course he went everywhere; and when he married they had to accept his wife. She did the rest, and no one can deny that she is smart—in our sense and yours! She is a leader already, and has a perfectly wonderful house, that all the old aristocrats fall over themselves to get invited to. I'd like to go there myself, but of course I'm nobody. Hofer poses as a reformer, but I guess this old town's too much for him—"
"Nicolas Hofer?" asked Gwynne, with interest. "I fancy that is the man my mother met at Homburg and asked me to call on."
"Oh!" exclaimed Mrs. Paula, with a toss of her head. "If you are going in for fine society you will soon have no use for us."
Gwynne, being unaccustomed to crudities of this sort, applied himself to his oysters, while Isabel made a fierce resolution that she would find another chaperon or remain in the country. She was disagreeably conscious of craning necks, and although she knew that she was beginning to excite interest in San Francisco, and was looking her best in a white cloth frock and large white hat, she made no doubt that her juxtaposition to the exotic Paula was the theme of more than one unpleasant comment. While she liked Bohemia and was entirely indifferent to shabbiness, she had never grown accustomed to vulgarities, and that they should be embodied in her adopted sister filled her with a futile wrath.
Stone hurried to his neglected party, waving his hand genially. He was a very tall loosely built man, with a sensuous laughing mouth and an eye that was seldom sober. He carried wine in his spirit as well as in his skin, and if the latter had bagged a trifle under its burden, the spirit was only depressed by the morning headache, and few men were more popular.
"Know what kept me?" he demanded, as he doubled a huge Eastern oyster—for the others Isabel had ordered the more delicate Californian, but Stone's interior demanded a sterner nourishment. "Isabel, you are famous. At first it was the men. Now it is the women too. It was like you, dearie, to put Isabel opposite that mirror where everybody can see her, but in which she looks just one decree further removed from common mortals. Takes an artist's wife! No use, my sister. The Eggopolis must take care of itself, the chickens be left to roost alone. San Francisco wants you, and what she wants she gets—what is the matter, darling?" The corners of his little wife's mouth were down and her chin was trembling.
"You might have paid me one compliment!" she enunciated, between anger and tears.
"Good heavens, sweetheart, you are as familiar to them as Lotta's fountain. You are an old story—and always beautiful," he added, gallantly. "But Isabel! We raise the voluptuous by the score, Gwynne, houris to beat the band. Climate's a regular Venus factory; but somehow we don't get the classic very often. Too mixed, probably. Will have to wait another generation or two. Eyes, complexions, figures—ye gods! But noses—somehow they run to snub. Still! Look over there. Ever see anything more fetching than those great Irish eyes in a regular little Dago mug? She's worth three cold millions and I pine to paint her. The price would be a mere detail. But to return to Isabel. She has only to raise her finger to become the rage, and I want her to raise it."
"I wonder how much they would care for her if she hadn't been born into one of the sacred old families, and hadn't money to boot!" cried Mrs. Stone, exasperated beyond endurance by this triumph of marital tactlessness. "I'd like to know what chance a poor girl has to turn people's heads—"
"Tut! tut! Brownie, you're jealous. You know there never was a town where people cared less about money—"
"It's just like any other old town, only you have silly legends about it that you stick to in the face of facts. That day Isabel took me to the St. Francis for lunch I never saw so many stuck-up-looking girls in my life, and they all looked as if they had just sailed out of New York fashion-plates. There are only about six really fashionable women here to-night, and they only come because they think it's spicy to get so close to real vice without actually touching it. For my part I'm sick of the whole Bohemian game, and I'd like to dine at The St. Francis or The Palace every night." She turned to Gwynne, her eyes flashing dramatically; she was tired of being chorus to her popular husband's leading r鬺es, and was determined to hold the centre of the stage for Gwynne's edification at least. "They pretend to come here because the dinner is so good!" she exclaimed. "Good and cheap! But it isn't that a bit with the swells—the women, that is. They just love the idea of doing something almost naughty, once in a while in their virtuous lives—when a San Francisco woman is proper she'd make you really tired with her superior airs and censorious tongue; but there isn't much she doesn't know, all the same, and she just revels in venturing this far."
"I don't understand," said the bewildered Englishman. "Are we dining in a dive?"
"Not quite, but almost!" cried Stone, refilling his glass from the large bottle in ice. "There is only one San Francisco! We have about six of these French restaurants—ever taste anything like these frogs in Paris? You scarcely ever see anybody in them at this hour with an 'all-night' reputation. There are plenty of other resorts, a good many of them under the sidewalks, where the dinner is almost as good but where a man doesn't take his wife. And up-stairs—here—and in a few others—well, if a woman is seen entering by the side door she is done for. But then she isn't usually seen. Lord! if these walls could speak! The divorce-mills would explode. The waiters all invest in real estate. Policemen send their daughters to Europe, and the boss politicians get rich so fast they spend money almost like a gentleman. In the hotels you are all but asked for your marriage license, but in what is euphemistically known as the French restaurants—well, high-toned vice comes high, but the town is fairly bursting with accommodations for every purse. No town like this!" he exclaimed, gazing into his lifted glass and with the accent of deep feeling. "No town on God's footstool. Nothing like it. Wouldn't live anywhere else if you gave me the planet. Of course I've reformed, but then it's the atmosphere—not a taint of American Puritanism—European and something more—the wild flavor of a new and unique civilization. Precious few California men that go to New York to live but are too glad to come back; and Eastern men, like Trennahan, who have had a long taste of it, couldn't be paid to live anywhere else."
"So all the legends of San Francisco are true?" said Gwynne, who preferred Stone to his wife.
"Couldn't exaggerate if you tried. Wait till I show it to you. No blazed trail nor special policeman detailed to protect our precious skulls. I know the ropes and am not afraid to go anywhere."
"How do you like your new work?" asked Isabel, hastily, not knowing what he might say next. "I should fancy that newspaper life would suit you."
"Does! Never hit a job I liked as well. Jolly set of fellows. Up all night. What more could a fellow ask? No more aristocracy of art for me. I'm neither a Peters nor a Keith, and I wish I'd found it out ten years ago. If a man can make a good living, what in—ah, what on earth more can he want in a town that gives him the best things in the world to eat, the jolliest all-night life, the finest fellows in the world, the prettiest women to look at, a climate that puts new life into old horses—life's a dead easy game out here—when you don't develop too much ambition. Ambition? Nothing in that. Fellows are ingrates and idiots that go off to a cold-blooded place like New York, with a beastly climate, the moment they have made a little mark here. No philosophy in ambition. Only one life. Why not enjoy it—when your creditors will let you? And the money always comes somehow—comes easy, goes easy, and if we can't all be great, we can be happier here than anywhere else on earth. Here's to San Francisco—and perdition to him that calls it 'Frisco!"
"So you have said good-bye to ambition?" asked Isabel, curiously. "I used to think you had a good deal."
"So I had. Once I was younger and knew less. Perhaps if I had ever done anything cleverer than a few dashing skits for the Bohemian Club, and somebody had patted me hard enough on the back, I might have made an ass of myself and crossed the continent in the wake of so many that have never been heard of since."
"I don't think you ever gave your creativeness a real chance. If you had shut yourself up in the country for a year—"
"I should have stayed a week. Scenery on a drop curtain is all I want of nature. No, Isabel." He relapsed into sadness for a moment. "I have travelled the logical road and simmered down into my place. It's just this: San Francisco breeds all sorts. A few are born with a drop of iron in their souls. They resist the climate, and the enchantment of the easy luxurious semi-idle life you can command out here on next to nothing, and clear out, and work hard, and make little old California famous. Where they get the iron from God knows. It's all electricity with the rest of us. There are hundreds of my sort. You've seen them at the real Bohemian restaurants; young men mad with life and the sense of their own powers; all of them writing, painting, composing, editing—mostly talking. Then at other tables the old-young men who have shrugged their shoulders and simmered down like myself; lucky if they haven't taken to drink or drugs to drown regrets. Still other tables—the young-old men, quite happy, and generally drunk. Business men and some professional are the only ones that forge steadily ahead; with precious few exceptions. But you don't see them often in the cheap Bohemian restaurants, which have a glamour for the young, and are a financial necessity for the failures. Never was such a high percentage of brains in any one city. But they must get out. And if they don't go young they don't go at all. San Francisco is a disease. You can't shake it off. And you don't want to. To Hades with ambition anyhow," he cried, gayly. "We can admire one another—and we've learned to, instead of knocking the life out of everybody else as we did a few years ago. Now we present the unique spectacle of a city packed to the brim with cleverness and always ready for more. We know how to appreciate. Vive la bagatelle. New York? Why, the spirit and brains would be drained out of nine-tenths of us trying to keep a roof over our heads, and nobody knowing we were there. No, sir. No, madam! The men in this town realize more and more when they are well off, and here is one of them." And he refilled his glass.
Isabel, not knowing that she had been listening to the litany of wasted lives, turned in disgust and cast about for an excuse to leave before Stone ordered another bottle of champagne. She encountered a gleam of amusement in Gwynne's eyes, and it seemed to transfer her to an empty auditorium, while mankind performed its little tricks on the stage for her sole benefit. It was a subtle tribute, and she blushed under it. She was also gratified to observe that Paula was boring him. But she glanced away, lest he should think she had forgiven him. At the same moment she saw a young man that had sat with his back to them, and opposite the famous Mrs. Hofer, suddenly push back his chair, rise to his feet, and look sharply at Gwynne. Then he came rapidly down the room, and Gwynne rose and met him as if lifted to his feet by the hospitality beaming from the large bright shrewd capable face of the Californian.
"This is Mr. Gwynne! Is it really?" he exclaimed, taking the stranger's hand in a large warm grasp. "I am Nicolas Hofer. Your mother wrote you? We have only been back a short time—I had intended running up to see you. I knew you for a Britisher the minute you entered the room, but the word was only just passed about who you were. Do—please—waive formality and lunch with me at my house to-morrow. Then we'll motor about a bit and I'll show you something of the city. Glad the fine weather holds out. No denial. I expect you." And he skilfully took himself off, before Gwynne should feel obliged to introduce him to his party.
"Now, what do you think of that for California manners, and the arrogance of the rich?" demanded Paula, triumphantly.
"Not a bit of it," replied Stone, amiably. "Man was in a hurry. Can't you see his wife waiting for him? Never knew a Californian to put on airs in my life." By this time his optimism was complete. "Only women imagine such things. There are as many poor as rich in San Francisco society. Only some of us are too poor, and Bohemia is better anyway. Well, let's hit the pike. This room is too hot for my head."