CHAPTER IV
MARY AND JESUS MEET
Though the early morning sky was bright and cloudless, the streets of the Cabañal were rumbling as in a thunderstorm. People jumped out of bed as the crashing almost split their eardrums; and good women of the village, their hair still down and in wrappers hastily thrown on, went out on the sidewalk in front of their doors to see what was going on. The bluish transparency of dawn was barely gilded with the rays of the still invisible sun. But the "Jews of Jerusalem" were on a rampage, banging their harsh cymbals together as they marched along the streets. One would have thought the Calendar had suddenly gone mad and transported Carnival to Easter week. The most grotesque horribles were gathering in the squares. The young folks of the town were out in costume; for the procession of the Encuentro, in the environs of Valencia, is virtually a masquerade.
Far down the long street, what looked like an army of cockroaches could be seen assembling, figures, called las vestas, in tall, black, sharp-pointed hoods, like so many astrologers, or judges of the Inquisition, their cloth masks rolled up over their foreheads, their long black trains hung over their arms, and each with a baton painted black in one hand. Some of the paraders, to add a touch of ingenuity, had slipped white petticoats on, well ironed and pleated, and from under them pairs of trousers protruded with the legs turned up, and, at the very bottom, top-shoes unutterably tormenting enormous feet accustomed to walking bare on the sands.
Then came the "Jews," fierce villains apparently snatched from some lowly stage for dramas of the Middle Ages that could afford only a conventional costume of poor quality. Their induments were what the Valencian populace refers to as its "war trappings," short skirts or kilts, much mottled with spangles, trimmings and lace fringes, like the tunic of the Apaches; helmets topped off with huge cock plumes, arms and legs "armored" with a rude fabric of cotton tufts to give a distant suggestion of mail. To cap the climax of caricature and anachronism, following the vestas and the "Jews," came—tall and handsome fellows all—the "Virgin's Grenadiers," wearing high-fronted caps like those of Frederick's Prussian guards, with black uniforms decorated with silver lace that must surely have been ripped from the caskets in an undertaker's store.
A stranger might have laughed at that naïf array had he dared brook the wrath of those solemn boys whose faces all wore expressions of stern professional seriousness. It is never safe to make fun of an army ready to fight; and these "Jews" and "grenadiers" who were to guard the crucified Christ and his mother were carrying, unsheathed in their hands, all the varieties of sword known from the dawn of history to the present time, beginning with the heavy cavalry saber of the ordinary marcher, to the slender, delicate rapier of the drum-major.
Following the march, or keeping up with it along its flanks, trooped the gamins of the town, enviously studying the colorful uniforms. Mothers, sisters and sweethearts looked on admiringly from their doorways: "There he is, there! Do you see him? Reina y siñora! How grand he looks!" The devout procession, like the parade that heralds the coming of a circus to town, seemed to recall to the sinful, backsliding population of the Cabañal that at seven A. M. sharp Jesus and his mother would meet—hence the name Encuentro—in the middle of the Calle de San Antonio, in front of the "Side of Bacon," the tavern of tio Chulla.
As the twilight brightened into the rosy glow of sunrise, promising a warm spring day, the martial uproar about the village grew. There were drums, cornets and brass horns sounding on every hand. An army seemed suddenly to have descended on the Cabañal. The various companies—collas, as they are called—had formed four abreast, and solemn, stiff, and as much admired as soldiers returning from victory, were marching to the homes of their respective captains to collect the banners displayed there—weird standards of black velvet embroidered with the horrifying symbols of the Passion.
The Rector was hereditary captain of the "Jews," and long before dawn he had gotten up and crammed his person into the handsome costume that was kept securely locked in a chest at other times of the year and was revered by the whole family as the treasure of the house. Lord help us! What are we coming to! Every Easter the poor Rector was getting fatter and fatter and finding it a more and more serious task to stuff his corpulency into that tight-fitting "coat-of-mail." Dolores, in her nightgown and with her hair down, was making the tour of his spacious waist, pushing in the stomach here, and stretching the cloth there, to make room for one more cubic inch of husband inside the cotton armor. On the bed sat little Pascualet gazing in amazement and alarm at that helmet with Indian plumes on the man's head and at that menacing cavalry saber which clanked against the walls and the furniture every time the Rector turned around. Could that be papa?
At last the dread toilette was over. Not exactly what you would call comfortable, but they had spent enough time over it. The Rector's underwear, at odds with the stringency encircling it, was all lumpy, and what looked like tumors could be seen standing out under the "Jew's" stockings. And those trousers! They were so tight around the middle that the poor man could hardly breathe. His helmet, far too small for his head, kept slipping forward and bumping on his nose. But this was a day for dignity, not for ease! And the Rector drew his saber, struck up a rub-a-dub-dub in his stentorian voice, and began to stride up and down the room, as though the baby there were a crown prince reviewing guard. His wife's golden, mysterious eyes followed him as he walked back and forth from one wall of the bedroom to the other like a bear in a cage. She was tempted to laugh at those bandy legs; but no—she liked him better in that costume than in the tarred and pitchy clothes he came home from work in at night, tired out and stupid from toil.
And now they were coming! The "Jews" could be heard, with their band, down the street. They would be wanting their banner. Dolores hastily threw a wrapper on, while the captain advanced to the frontiers of his domain to welcome his army. The lurid company drew up in front of the house. The drum-beat softened in tone, but continued to give the rhythm for the privates who stood there marking time, keeping their heads and bodies and legs moving energetically in space but without moving from their positions. Tonet and two other "Jews" came gravely forward, entered the house, and started for the second story, whence the standard was hanging from a window.
Dolores met her brother-in-law on his way upstairs, and instantly, instinctively, she drew the overwhelming comparison. There was a real soldier, a general! Tonet had something about him that distinguished him from the uncouthness and clumsiness of the others—of the other. His legs were straight, and his stockings had no wrinkles—everything in his make-up was stylish, well fitting, sleek. He belonged to the Juan Tenorios, the royal don Pedros, the Henri Lagardères, she had seen on the stage of the theater of La Marina, reciting verses and fighting duels that had thrilled her to the bottom of her soul.
And now all the collas were off toward the church, their bands and banners in front of them, looking, from a distance, like troops of glossy insects moving up and down in the rhythm of the march. The Encuentro was at hand! Two processions were coming-down different streets. In one was the Virgin, weeping, sorrowful, escorted by her guard of funereal grenadiers; in the other, Jesus, in a showy purple mantle spangled with gold, his hair awry, his face stained with blood, collapsing under the burden of the Cross. The image had fallen on the rocks of painted cork that covered its pedestal. Around the Christ, to prevent his escape, crowded the ruthless "Jews," who, in line with their parts, had marshaled ferocious scowls; and with the "Jews" came the vestas, their masks lowered now and their trains dropped and dragging through the puddles. The whole scene was so dreadful, so awe-inspiring, that children along the road began to scream and to hide in fright behind their mothers' skirts.
Siñor!... Ay, siñor, Deu meu!... the old fisherwomen murmured sympathetically at sight of the bleeding Christ in the clutches of that mob of infidels.
The low-pitched cymbals were clanging meanwhile, and the cornets were shrieking long-sustained, ear-splitting blasts like the bellowing of calves in a slaughter-house. In the midst of the throng of cruel guards marched some tall, well-built girls, with painted cheeks, and in costumes copied from the Turkish maidens of comic opera. They carried water jugs to show they were the Biblical women from Samaria. From their mothers they had borrowed earrings and breast-pins. Their plump legs were ostentatiously exposed in open-work stockings under short Polish peasant skirts. But this was not the occasion for mocking raillery from the men in the crowds.
Among the spectators, to be sure, were a few pale faces and blue-ringed eyes—revelers who had been up all night and, to finish their carousals, had come down from Valencia to witness the famous popular festival. But if such people ventured a smile at any incongruity in the costumes, a soldier of Pilate would step up and raise his saber menacingly, calling them to order in righteous indignation:
"Morrals! Morrals! Hey, there, you pig! This is not a joke! The idea! The most religious ceremony of the coast, and as old as the Cabañal itself! You're no gentleman! You must come from Valencia. But I'll teach you manners, if you don't behave yourself!"
The "meeting" place, on a crossing of the Calle de San Antonio, along which, every now and then, some tiles of curious design had been placed to mark the stations of the march to Calvary, was drawing the bulk of the crowd. Rough, aggressive shore-women, in checkered shawls and with kerchiefs on their heads for hats, were competing restlessly for places in the front line.
Among a group of older ones Rosario was stoutly defending her excellent position on the sidewalk with her elbows and her knees. Had they seen her Tonet? Not a "Jew" in the whole lot to compare with him! And in all this enthusiasm for her handsome husband, the poor woman was still rubbing the bruises he had inflicted on her that morning in the course of getting his costume out and on. But suddenly Rosario felt a rude shove which brushed her aside, while a compact, muscular female body crowded into the place she had been occupying. She looked around. Did any one ever hear of such brazen impudence! It was Dolores, leading Pascualet by the hand! They had at last forced their way through the crushing throng. The comely girl still had her usual pout of disdain as she looked at people and carried herself with her habitual queenly pride. The harlot! Yet how everybody made way for her and fawned upon her in spite of her conceit!
To the exceeding alarm of tia Picores, the two women stood there frowning at each other angrily. Their reconciliation some days before in the ice-cream place had been nothing but a truce. They had promised to be good friends, but without much warmth, and one could see from the looks in their eyes at the time that there would be trouble again soon. Rosario, taken aback by the violence of the push that had displaced her, rested content with a grimace. What nice manners some people had! Some people wanted the earth with a fence around it! Gangway for Her Majesty the Queen! Well, there are people and people in this world! And the wrong sort reveal themselves—you don't have to bother to point them out.
As the pale, sickly woman muttered on, her face grew redder and redder with the intoxication of her own words. Her friends near by kept nudging her, egging her on to stand her ground. Dolores, meanwhile, began to toss her gorgeous head like a lioness preparing to cuff at a hornet buzzing behind her back. However, the processions were debouching into the square, and a wave of expectancy swept over the multitude.
Slowly the two lines of celebrants approached each other, measuring their steps so as to reach the designated spot at exactly the same moment. The sun was darting its first golden rays upon the purple robe of Jesus, the maze of plumes, helmets and upraised swords of the guards—one bright, sparkling brilliancy. From the other direction came the Virgin, bobbing up and down on her throne in rhythm with the footsteps of her bearers, dressed in a black velvet gown with widow's weeds, some big wax tears glistening on her face, and—to catch them, supposedly—a black-bordered mourning handkerchief in her stiff, lifeless hands. She it was who riveted the attention of all the mothers present. Many of them began to weep. Ay reina y soberana! How she must be suffering! A mother finding her boy in a fix like that! Suppose I should meet my boy—do you see him over there, and isn't he handsome?—handcuffed, and on the way to the penitentiary! And I'm only an ordinary mother! The fisherwomen were now groaning and weeping all around the square, not forgetting, meanwhile, to study the Virgin's costume for any improvement or shortcoming as compared with the year before.
The exciting moment was now at hand. The drums ceased beating, the cornets interrupted their dolorous bleating, and the bands were hushed. The images of Jesus and Mary were face to face. A plaintive, tremulous voice began to recite in monotone some stanzas which told how very sad and mournful the whole scene was. Tio Grancha, an aged velvet-spinner, came down from Valencia every year to declaim those couplets, and his art was one of the attractions of the festival! What a voice! How it went to your heart! And that is why a riot almost started when some gamblers in the "Side-of-Bacon" began to laugh at a turn in their game, and people rushed to the doors exclaiming angrily:
"Shut up ... shut up ... you vermin!"
The images tilted back and forth, in symbolic pantomime of desperate and sorrowful farewell!
Meanwhile, Dolores could not take her eyes off the arrogant, elegant "Jew" who contrasted so favorably with his bandy-legged captain. She was standing with her back toward Rosario, but that did not prevent the latter from divining the object of her gaze. And did you see that? A married woman making eyes at a married man, and right in the presence of her husband! And all this in public! And what went on in private, when that Tonet went to her house on the pretext of playing with the baby, and found her alone?
The two processions had now joined and were going back toward the church. The jealous, infuriated woman continued, in a half-audible voice, to hurl her insulting tirade over those broad, exuberant shoulders in front of her—a splendid pedestal for a beautiful head with luxuriant hair. Dolores turned around with a smirk of biting ridicule on her face. Beg pardon! Had all that been for her? When would that dirty scullion stop annoying a lady? Couldn't a person look at a parade without being insulted? And a glitter of gold sparkled with a wicked gleam in the pupils of her sea-green eyes.
Yes, came the reply. It had all been for her, every word! An immoral, impudent wench, who was always eyeing other women's husbands! Dolores laughed contemptuously. Thanks! Rosario could keep her husband, for all she cared. What a jewel he was, besides! She had her own man and that was enough for her. Tonet might do for other women, if they were fool enough to take him on. But for the thief there's nobody in the world but thieves! No, madam, her job in life was not stealing husbands, but slapping the faces of lying gossips who talked too much!
"Mare, Mare!" screamed Pascualet, clinging to the skirts of his beautiful mother, who, her dark skin pale as death, had drawn herself up to her full height preparing to throw herself upon her enemy. Rosario, meanwhile, was struggling to shake off a number of women who were holding her pinioned by her weak, flaccid arms.
"What's going on here? At it again, eh?" It was the harsh, scolding voice of tia Picores, who had interposed her towering form between the combatants. She would settle the row! She knew how to handle those hot-heads. "You, Dolores, home with you! And you, you groveling, lying slanderer, get out of my sight and hearing." And with a shove and a threat, first in one direction and then the other, she put them both to rout.
Lord, Lord, what people! And on Good Friday! On Good Friday! And right in front of Mary and Jesus! God might forgive them, but she wouldn't! The thousandth time! And that's the way they bring up girls nowadays. And when the stern old woman saw that the younger ones were still shouting insults at each other from a distance, she went at them again, shaking her fists and calling them names, till they were dragged away by their partisans.
The quarrel was soon the talk of all the Cabañal. After the services were over there was another disturbance in the household of Tonet, who, without waiting to take his costume off, thrashed his wife within an inch of her life for making a fool of him in public. And the Rector also brought the subject up while Dolores was prying him out of his uniform, and his flesh was gradually resuming its normal rotundity. He was sorry to say so, but that poor Rosario was crazy. Tonet might be all he might be—and it was true that brandy didn't do him any good! Just the same, it was a pity to see him tied to a woman about as easy to handle as a porcupine. But a brother was a brother in his eyes! He wasn't going to break with the son of his own father just to please that fool of a woman! Much less at that particular moment, when there would be a chance to make a real man of Tonet. Dolores, though hardly yet recovered from the excitement of the brawl, nodded approval to all he said.
And the Rector thought no more about it. He had that little matter on his mind. And, in fact, the following day, just as the bells were ringing for the service of Holy Saturday, while revolvers were being fired in festive celebration about town, and gamins were going from house to house beating upon front doors with sticks, la Garbosa, that leaky death-trap hardly able to keep afloat, with a complete outfit for fishing aboard to make her look like a seiner, raised her huge lateen sail, new and strong and white, and slipped away from the beach of the Cabañal, taking the first sea swells like a time-worn beauty, frilled and painted up to make one last conquest.